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The Centre des musiciens du monde presents an unusual encounter between the musical culture of the Basque Country and that of the indigenous Mig’maq nation. The fruit of a creative residency bringing together artists from these two worlds (Darlène Gijuminag, Claudine Arhancet and Michel Etxekopar), this meeting defies borders and brings together cultures that are brothers by land.
Revealing both their age-old traditions and the modernity that emanates from their recent collaborations, this concert will be punctuated by the encounter of traditional Mig’maq and Basque music, echoing the traces and faded images of their first encounters. The artists explore both real and imaginary territories, reminding us that the two communities crossed paths centuries ago.

This concert is presented in co-production with the SMCQ as part of the Montreal/New Music Festival with the participation of the Basques du Québec Euskaldunak association.

Kiya Tabassian is an Iranian musician recognized for his mastery of the setar, a long-necked Persian lute.

His virtuoso technique and innovative approach reinvent the setar. Kiya draws from the richness of Persian poetry and spirituality to infuse emotional depth into his compositions and improvisations.

His work is distinguished by a capacity to weave musical stories that transcend cultural boundaries, creating dialogues between the East and the West. As a composer, he also explores new sounds to expand the possibilities of the setar.

A leading figure in contemporary Persian music, Kiya Tabassian embodies the union of heritage and innovation.

Kiya Tabassian is an Iranian musician recognized for his mastery of the setar, a long-necked Persian lute.

His virtuoso technique and innovative approach reinvent the setar. Kiya draws from the richness of Persian poetry and spirituality to infuse emotional depth into his compositions and improvisations.

His work is distinguished by a capacity to weave musical stories that transcend cultural boundaries, creating dialogues between the East and the West. As a composer, he also explores new sounds to expand the possibilities of the setar.

A leading figure in contemporary Persian music, Kiya Tabassian embodies the union of heritage and innovation.

Nazih Borish is a virtuoso of the oud, the Arab string instrument that is the precursor of European lutes, and a renowned musician in the world of oriental music. Born in Syria, he was trained from a young age in the rich Arab musical tradition.

His exceptional technique and unique interpretation of the oud have earned him international recognition. He blends tradition and innovation while respecting the essence of classical Arab music. His captivating performances combine subtle improvisations and refined compositions.

Nazih Borish is also an accomplished composer, creating works that explore new dimensions of the oud while staying true to its roots.
Through his expressive playing and mastery of the classical Arab repertoire, he is one of the most influential ambassadors of contemporary Arab music, connecting it with other musical traditions worldwide.

In their musical encounter, musicians Ran Wang (guzheng) and Annette Bauer (sarode, recorders, duduk, xun) cross the Silk Road from east to west. Their journey invites the audience to follow a geographical route from China to Italy via India, weaving links between different historical periods as they present music from the ancient Han dynasty (200 BC – 9 AD) to music from the nascent European Renaissance in early 15th-century Italy.

Annette Bauer (sarode, recorders, duduk, tabor)

Ran Wang (guzheng)

Come listen to traditional Rwandan songs and well-known Maritime artists at the String Constellation concert. Inspired by 17^th century musical traditions, voices and instruments create an original tapestry of sound. The result is an astonishing constellation of unique pieces, with Kerry Bursey’s lute and Reza Abaee’s gheychak adding a Baroque and Persian dimension to the Scottish and Irish melodies from the traditional Maritime repertoire.

Deo Munyakszi, vocals, inanga; Janelle Lucyk, vocals, violin; Kerry Bursey, lute, theorbo; Reza Abaee, gheychak

Federico Tarazona is a Peruvian musician and composer recognized for his virtuosity on the charango, a small traditional guitar from the Andes.

His playing skillfully blends traditional Andean rhythms and sounds with contemporary influences. Federico has modernized the charango while preserving its unique character and deep cultural roots. He uses the instrument to create new sound textures, between improvisation and original compositions.

In addition to his career as a performer, he is a strong advocate for indigenous music and the cultural richness of the Andes. His work has been widely praised on the international stage, and he is considered one of the ambassadors of modern Andean music.

Federico Tarazona continues to share the beauty and complexity of the charango through concerts and international collaborations. This concert will be a unique opportunity to hear him perform solo.